The winds of change are rustling at the Richmond Ballet. This year, the venerable organization will usher in several significant firsts in its 67-year history, which are both bittersweet and exciting.
Following a nationwide search, Maya Erhardt has joined the Ballet as its executive director, a newly created role. And, beloved artistic director of 44 years, Stoner Winslett, ends her tenure at the ballet company after heading near-countless performances, productions, expansions, and partnerships. Now, she hands the reins over to critically acclaimed choreographer, celebrated dancer, and Richmond Ballet’s associate art director Ma Cong.
Ernhardt’s experience in strategic management and resource development will enable Ma to focus the creative side of the Ballet like choreography and mentoring. He visualizes the future of Richmond Ballet as an internationally known “dance destination.”
Part of embracing this period of revitalization will be relocating from the company’s longtime location on East Canal Street to the Virginia Museum of Fine Arts, with a move anticipated in March. Moving to the VMFA means fresh opportunities—new productions, a new stage, chances for new programs—and bidding farewell to a cherished studio of many years. Studio Finale, a show running Sept. 17–22, will be the Ballet’s last performance at their old home, featuring a world premiere choreographed by Ma.
Expect to see more world premieres and overall performances at the VMFA, with the 472-seat theater’s ability to host three ballets in a night. Ma envisions guests touring VMFA exhibits, eating dinner at Amuse, and ending the night with a ballet performance—an ideal date night or family activity. RichmondBallet.com
Richmond Ballet dancers Khaiyom Khojaev and Eri Nishihara in Ma Cong’s Firebird.
This article originally appeared in the August 2024 issue.
